Which poem does Coleridge refers to my shaping spirit of imagination?
Title of Thesis: The Shaping Spirit of Imagination: A Study of the two versions of Samuel Taylor Coleridge’s “Dejection: An Ode.”
Which poem by Coleridge is confessional and it’s about failure?
The Poem Ode to Dejection, is a confession of the poet Coleridge’s failure, and one of the saddest of all human utterances. The poem is written in the year 1802, in a way it is considered to be a swan song .
What does Coleridge Express in the poem Dejection: An Ode?
The poem expresses feelings of dejection and the inability to write poetry or to enjoy nature. Wordsworth is introduced into the poem as a counter to Coleridge, because Wordsworth is able to turn such a mood into a benefit and is able to be comforted.
What does Coleridge say about primary and secondary imagination?
It is the intrinsic quality of the poet that makes him or her a Creator; harking back to Wordsworth, the primary imagination can be likened to poetic genius. The secondary imagination is an echo of the primary. It is like the former in every way except that it is restricted in some capacity.
What is the theme of the poem ode to dejection by Coleridge write in detail?
Themes. The poem was a reply to William Wordsworth’s “Resolution and Independence”. It is also connected to Wordsworth’s Immortality Ode in theme and structure. The poem expresses feelings of dejection and the inability to write poetry or to enjoy nature.
What does Coleridge say about him in the poem Dejection: An Ode?
In the above lines of the poem ‘Dejection: An Ode’ by Coleridge, the poet further says that he is in a mood of deep sorrow. No beautiful object of Nature can charm him. In the absence of the inner joy in his heart, he does not feel the beauty of Natural objects.
What is joy according to Coleridge?
“Joy” as described by Coleridge in “Dejection: an Ode” is an inward state of the soul that the pure have access to. It is a state of “light” and “glory” that infuses the world with its beauty and joy.
What are the two types of imagination in literary criticism?
According to Coleridge, imagination has two types: Primary and Secondary. According to him the primary imagination is “the living power and prime agent of all human perception”.
What does Coleridge mean by secondary imagination?
In Coleridge’s own words, secondary imagination is “a shaping and modifying power” which “dissolves, diffuses, dissipates, in order to create”. In this sense, it is a unifying power.
What kind of poem is Dejection: An Ode?
Dejection: An Ode, autobiographical poem by Samuel Taylor Coleridge, published in 1802 in the Morning Post, a London daily newspaper. When he wrote this poem, Coleridge was addicted to opium, was unhappy in his marriage, and had fallen in love with Sara Hutchinson.
Why is Coleridge dejected?
Coleridge is dejected and has lost his inner joy. His observing spirits have died down, and he does not find any joy or happiness anywhere, anymore. He gazes at all the beautiful objects of Nature. But they do not provide him joy or remove his grief.
What does Coleridge suggest about the process of imagination?
But Coleridge also subtly hints that there is an element of conscious control in the imagination, which he represents with images of prophesy and inspiration. Since the images of chaotic creation dominate the poem, Coleridge suggests that the process of imagination is largely a mystery.
What are Coleridge’s best poems?
But what we do know is that ‘Kubla Khan’ is one of Coleridge’s best-loved poems, admired for the richness of its exotic imagery and the delicious sound of its words. 5. ‘ Christabel ’. Is the night chilly and dark?
How does Coleridge explain the process of imagination in Kubla Khan?
Since the images of chaotic creation dominate the poem, Coleridge suggests that the process of imagination is largely a mystery. Coleridge gives a direct explanation of his theories on imagination in his book Biographia Literaria, and the philosophy he describes parallels the images of imagination in Kubla Khan.
What is romanticism according to Coleridge?
Romanticism, the movement Coleridge was a part of, took a deep interest in the mind of the artist—a subject that was previously neglected. Kubla Khan demonstrates that the artist’s mind– particularly the poet’s mind– operates on both a tumultuous and self-conscious level.