What does Proun?
In 1920 Lissitzky coined the term “Proun”—an acronym for the Russian words meaning “project for the affirmation of the new”—to refer to a series of abstract works that combined the Suprematist lexicon of geometric, monochromatic forms with tools of architectural rendering.
Why was el Lissitzky important?
His innovations in typography, advertising, and exhibition design were particularly influential. Lissitzky received his initial art training in Vitebsk (now Vitsyebsk, Belarus), a city that would play a major role in the development of the Russian avant-garde.
Was El Lissitzky a constructivist?
Lissitzky’s Constructivist art and his political beliefs had become virtually interchangeable at this point in his career.
What methods does El Lissitzky use?
Lissitzky’s Prounen or Proun work, which spanned a variety of media from painting and illustration to physical installation, was the artist’s effort to create three-dimensional environments in which two-dimensional shapes could exist in direct contrast to the space they inhabited.
When was El Lissitzky Proun 19D made?
El Lissitzky’s Proun 19D from the collection of The Museum of Modern Art was made sometime between 1920 and 1921, just a few years after the Russian Revolution, and has been traditionally understood within the sociocultural context of the emergent Soviet Union.
What is El Lissitzky’s Proun?
El Lissitzky Proun 19D 1920 or 1921. In 1920, Lissitzky announced a new type of artwork that he called a “Proun”—an acronym of the Russian phrase meaning “project for the affirmation of the new.”. Lissitzky and his contemporaries were working in Russia just three years after its revolution,when a civil war still raged for control of the country.
Was Lissitzky a UNOVIS artist?
Roughly at the same time, Lissitzky, who first participated in UNOVIS in 1920, departed Vitebsk for Berlin, providing much room for art historical debate regarding his ideological affiliations during this period.
What is the meaning of Proun 19D?
Proun 19D (1920 or 1921), one of El Lissitzky’s best-known works, offers different frames of interpretations closely related to the historiographical record of where and how the work has been displayed since its inception.